Description:

FIVE ANICONIC MANDALAS OF DIFFERENT DEITIES
Tibet/Amdo (?), 19th c.
146 x 97 cm, R.
Large temple painting from the Gelugpa school with five aniconic mandalas. In these mandalas, the deities and their retinue are marked in the centre only by their attributes. Such mandals are designed for practitioners who are familiar with the contents of the meditation images through appropriate initiations and no longer need the iconographic representations of individual deities. Between the mandalas, which appear visionary in celestial space and hilly landscape, are depicted numerous Buddhas, Bodhisattvas, and Dharma Protectors. At the apex of the painting are Tsong Khapa (1357-1419), the founder of the Gelugpa tradition, and his two disciples Khedrub Geleg Pelsang (1385-1438) and Gyelwa Gendün Drub (1391-1474). Follow to the left: The "Buddha of Long Life" - Amitayus, and the Mahasiddha Tilopa; to the right: the Green Tara, and a patriarch of the Gelugpa. Following in a straight line below the Tsong Khapa: The Tathagata Vajrasattva (yab-yum), Buddha Amitabha, EkadashamukhaAvalokiteshvara and the red-coloured Naro Khachöma. On the left side are depicted the Buddhas of the three times, and below them the Tathagata Amitabha (yab-yum). On the right side appear the "Three Protectors of the Teaching": ShadakshariLokeshvara (white), Manjushri (yellow) and Vajrapani (blue). Below them is the green-coloured Tathagata Amoghsiddhi (yabyum). In the bottom row are depicted: The two Tathagatas Ratnasambhava (yellow) and Akshobhya (blue) with their respective partners, and in the two corners are appearances of Cakrasamvara on their lotus flowers, in yab-yum. Tempera on cotton canvas. Framed under glass.
South German private collection, acquired before 1980 from Schoettle Ostasiatica Joachim Baader, Stuttgart, no. 6059

Published: Tibetica 16, Schoettle East Asian Art, 28.7.1971, no. 6059 - Minor wear and very minor traces of age

Fünf anikonische Mandalas von verschiedenen Gottheiten
Tibet, Amdo (?), 19. Jh.
146 x 97 cm, R.
Große Tempelmalerei aus der Gelugpa-Schule mit fünf anikonischen Mandalas. In diesen Mandalas sind die Gottheiten und ihr Gefolge in der Mitte nur durch ihre Attribute gekennzeichnet. Solche Mandalas sind für Praktizierende gedacht, die durch entsprechende Einweihungen mit den Inhalten der Meditationsbilder vertraut sind und die ikonographischen Darstellungen der einzelnen Gottheiten nicht mehr benötigen. Zwischen den Mandalas, die visionär im himmlischen Raum und in der hügeligen Landschaft erscheinen, sind zahlreiche Buddhas, Bodhisattvas und Dharma-Beschützer abgebildet. An der Spitze des Gemäldes stehen Tsong Khapa (1357-1419), der Gründer der Gelugpa-Tradition, und seine beiden Schüler Khedrub Geleg Pelsang (1385-1438) und Gyelwa Gendün Drub (1391-1474). Folgen Sie nach links: Der "Buddha des langen Lebens" - Amitayus, und der Mahasiddha Tilopa; rechts: die Grüne Tara, und ein Patriarch der Gelugpa. In einer geraden Linie unter dem Tsong Khapa folgen: der Tathagata Vajrasattva (yab-yum), Buddha Amitabha, EkadashamukhaAvalokiteshvara und der rot gefärbte Naro Khachöma. Auf der linken Seite sind die Buddhas der drei Zeiten abgebildet, darunter der Tathagata Amitabha (yab-yum). Auf der rechten Seite erscheinen die "Drei Beschützer der Lehre": Shadakshari-Lokeshvara (weiß), Manjushri (gelb) und Vajrapani (blau). Unter ihnen befindet sich der grün gefärbte Tathagata Amoghsiddhi (yabyum). In der unteren Reihe sind abgebildet: Die beiden Tathagatas Ratnasambhava (gelb) und Akshobhya (blau) mit ihren jeweiligen Partnern, und in den beiden Ecken sind Erscheinungen von Cakrasamvara auf ihren Lotosblüten, in yab-yum. Tempera auf Baumwollleinwand. Gerahmt unter Glas.
Süddeutsche Privatsammlung, erworben vor 1980 von Schoettle Ostasiatica Joachim Baader, Stuttgart, Nr. 6059

Publiziert: Tibetica 16, Schoettle Ostasiatica, 28.7.1971, Nr. 6059 - Leichte Gebrauchs- und sehr geringe Altersspuren

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