Description:

A RARE PAINTED IMPERIAL ENAMEL BATS AND FLOWER SEAL-PASTE BOX AND COVER
China, blue enamel Qianlong four-character mark and of the period
D. 7,3 cm
Of circular form, delicately painted with a fine flower and bat design covering the exterior of the box and cover with a multitude of flowers including peony, rose and chrysanthemum shades of pink, blue, yellow, white and purple enamels, the interior enamelled in a light turquoise and the underside enamelled white with a blue enamel four-character mark. The design is most associated with the Qianlong period, and it is during this reign that we see some of the finest examples of the pattern. The complex but delicate pattern was particularly suited to relatively small wares and can define a distinct group of porcelains, painted enamels such as the present seal paste box, and 'miniature' pieces such as snuff bottles.
Max Müller (1867-1960), German Consul in Hankow, collected in China between 1905 and 1912. By descent to his daughter Irmgard Müller-Doertenbach (1909-2011)

The technique of enamelling on metal was originally introduced to the Chinese craftsmen in the Guangzhou area by French Jesuit missionaries in 1684 following the lifting of restrictions at ports. Being a port city, these artisans were the first to be exposed to wares from Europe and developed the skills in creating such wares. Enamoured by the range of vivid and pastel tones of the imported and tributary wares, the Kangxi Emperor recruited enamel artisans from Guangzhou and Jesuit missionaries to work in the Palace and advance the proficiency of the Enamel Workshop. A circular box on white ground with flowers and a central flower on the cover is illustrated ‚Radiant Luminance: The Painted Enamelware of the Qing Imperial Court‘, National Palace Museum, Taipei, 2012, no. 141, p. 191. A chrysanthemum shaped box, from the Qing Court collection and still in Beijing, is illustrated in The Complete Collection of Treasures of the Palace Museum. Metal-bodied Enamel Ware, Hong Kong, 2002, pl. 209, together with its Kangxi prototype, pl. 183. See also a pair of boxes sold at Christie’s Hongkong, 29.5.2007, lot 1641. Compare a yellow-ground Qianlong box and cover on stan with similar decoration in the National Palace Museum, Taipei, illustrated in Enamel Ware in the Ming and Qing Dynasties, Taipei, 1999, pl. 125. And another similar box is published ‚The Arts of the Ch’ing Dynasty‘, an exhibition organised by the Arts Council of Great Britain and the Oriental Ceramic Society‘, 26.5. - 2.7. 1964, London, pl. 112, no. 345 - Few small restored flakes to enamels

Feine und seltene Siegellack-Dose mit Email-Dekor
China, Qianlong-Vier-Zeichen-Marke in blauem Email und aus der Zeit
D. 7,3 cm
Kreisförmig, zart bemalt mit einem feinen Blumen- und Fledermausmuster, das die Außenseite der Dose und des Deckels mit einer Vielzahl von Blumen bedeckt, darunter Pfingstrosen, Rosen und Chrysanthemen in Rosa-, Blau-, Gelb-, Weiß- und Purpur-Email, die Innenseite in hellem Türkis emailliert und die Unterseite weiß emailliert mit einer blauen Vier-Zeichen-Emaille. Das Muster wird am ehesten mit der Qianlong-Periode in Verbindung gebracht, und aus dieser Zeit stammen einige der schönsten Exemplare des Musters. Das komplexe, aber filigrane Muster eignete sich besonders für relativ kleine Waren und kann eine bestimmte Gruppe von Porzellanen, bemaltem Email wie die vorliegende Siegelpasten-Dose und "Miniatur"-Stücke wie Schnupftabakflaschen definieren.
Max Müller (1867-1960), deutscher Konsul in Hankow, sammelte zwischen 1905 und 1912 in China. Durch Erbschaft an seine Tochter Irmgard Müller-Doertenbach (1909-2011)

Die Technik des Emaillierens auf Metall wurde ursprünglich von französischen Jesuitenmissionaren 1684 in der Gegend von Guangzhou eingeführt, nachdem die Beschränkungen in den Häfen aufgehoben worden waren. Da es sich um eine Hafenstadt handelte, waren diese Handwerker die ersten, die mit Ware

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June 10, 2024 9:30 AM CEST
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