Description:

A KERIS WITH IVORY HANDLE
Java, Nord- oder Bali, 18th c. / earfly 19th c.
L. 56 cm
This keris has a highly carved Balinese blade that is mounted in a North Javanese figural handle. The blade has 13 waves (luk). According to sources, the shape is called dhapur banaspati or kalawija, in reference to the detailed iron-cut demonic kala head on the gandik, the short thickened ricasso. The blade (bilah, wilah) has typical Balinese characteristics in terms of size, shape and strength. The very well smoothed surface (di nruwing, garapan) with the shiny sulphur arsenic patina, which is quite well preserved, is also classically Balinese. On the protruding side (kepet; "tail") of the blade and ganja (the attached cross-piece made of the same material as the blade) it has pronounced greneng, which are also quite typical for Bali. With some reservation, it can be concluded from comparative examples that it originated in northern Bali (Singaraja). The pamor (welding pattern), which is based on a low layer density without pattern control(beras wutah) but is forged flawlessly, also has a Balinese habitus. The ganja (crosspiece) was inlaid with flat gold tendrils, which suggests a high-ranking former owner or patron. The elaborately crafted figural ivory handle was probably also made in northern Bali or possibly in north-east Java. It depicts a grotesque, slightly inclined figure with stylised fangs from the Shivaite pantheon(gana), which has been dissolved in floral ornamentation. The shape of the handle is specific to North Java (Bantam, Semarang). At north-east Javanese centres, where the keris plays an important role, Pasuruan, Tuban, Gresik and also Banjuwangi (directly) opposite Bali are all possible sources. The handle figure with hibiscus flowers behind the ear and the angled foot as a reference to the "otherness" or otherworldly world and to the derivation of malevolent influences has stylistically clear Balinese references. The figure rises in a "casual" lalita meditation posture on a strongly alienated tumpal pedestal, which is linked to ancient Indonesian ancestral concepts and embodies the interlocking of the planes of existence. The trembalo wood scabbard has a typical Madurese design. It is in the rounded gayaman shape, which is a development of the 17th or 18th century. It does not really correspond with the quality of the handle and blade and is probably not originally part of the blade. Not only the shape of the scabbard, but also the type of pendok, the metal scabbard closed at the top and made of a silver alloy, are typical of Madura or the Javanese region opposite.
From an old German private collection, assembled since the 1950s - The EU trade certificate for the sale of this lot is available - Minor traces of age, the handle partly with only few fine age cracks

Lit.: Groneman, I. (1910): Der Kris der Javaner. Internationales Archiv für Ethnografie XIX. - Guritno, H. (2005): Keris Jawa. Jakarta. - Hidayat, M. M. (2013): Keris Indonesia. Estetika dan Makna Filosofi. Jakarta. - Jensen, K. S. (2007): Krisdisk: Krisses from Indonesia, Malaysia and the Philippines. Kopenhagen. - Weihrauch, A. G. (2002): Ursprung und Entwicklungsgeschichte des Indonesischen Keris. Basel (Dissertation)

Keris mit Griff aus Elfenbein
Java, Nord- oder Bali, 18. Jh. / frühes 19. Jh.
L. 56 cm
Dieser Keris hat eine hochkarätige balinesische Klinge, die in einem nordjavanischen figuralen Griff sitzt. Die Klinge hat 13 Wellen (luk). Die Form wird Quellen zufolge dhapur banaspati oder kalawija genannt, in Bezug auf das in detaillierten Eisenschnitt ausgeführte dämonische kala-Haupt an der gandik, der kurzen verdickten Fehlschärfe. Die Klinge (bilah, wilah) hat in Größe, Form und Stärke typisch balinesische Merkmale. Klassisch balinesisch ist auch die sehr gut geglättete Oberfläche (di nruwing, garapan) mit der glänzenden Schwefelarsenik-Patina, die recht gut erhalten ist. An der ausladenden Seite (kepet; „Schwanz“) vo

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Export to countries outside the EU are subject to the restrictions of the UNESCO convention from 1970 and the European Agreement for the Protection of Cultural Heritage from 1993. Moreover, the cites regulations are applicable. Objects with materials such as ivory or tortoise shell require a permission for export into countries outside the EU contract area due to cites regulations. We point out that such a permission is usually not given. For exports within the EU the Act to Protect German Cultural Property against Removal (Kulturgutschutzgesetz) has been in force since 6th August 2016.


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June 11, 2024 9:30 AM CEST
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