Description:

A FINE CARVED BAMBOO INCENSE CYLINDER WITH A SEATED LADY ON A TERRACE
China, early Qing dynasty
H. 19 cm
Deeply carved in rounded relief.
K. Blickle Collection, Shanghai, assembled before 1913 by repute

The earliest mention of a bamboo brush pot in literature appears during the Song dynasty (960-1127). Zhu Yizun of the Ming dynasty (1368-1644) wrote in his 'Bi Tong Ming' ('On Brush Pot'): “Brushes that lie on the desk randomly are like people who don’t have proper deportment. When they are put in a brush pot, like guests finding a home, they become proper.” Starting from the late Ming dynasty, the literati of the day stressed the cultivation of 'ya' (elegant, refined distinguished) style in their life. This style was expressed in their studies, carved bamboo ornaments, including brush pots ('bitong'), arm rests ('bige') and incense tubes ('xiangtong'). These were highly sought after because bamboo was considered as one of the four symbols for 'gentleman' whose integrity should be like the sections on bamboo trunks that go higher and higher. A similar carving from the Julia Y. Cheng Collection is illustrated in ‚Bamboo Carving of China‘, no. 11 - The finials are lost

Weihrauchbehälter aus Bambus
China, frühe Qing-Dynastie
H. 19 cm
Tief geschnitzt in rundem Relief.
K. Blickle Collection, Shanghai, zusammengetragen vor 1913 laut Überlieferung

Die früheste Erwähnung eines Bambuspinseltopfs in der Literatur stammt aus der Song-Dynastie (960-1127). Zhu Yizun aus der Ming-Dynastie (1368-1644) schrieb in seinem Werk "Bi Tong Ming" ("Über den Pinseltopf"): "Pinsel, die wahllos auf dem Schreibtisch liegen, sind wie Menschen, die sich nicht richtig benehmen. Wenn sie in einen Pinseltopf gelegt werden, wie Gäste, die ein Zuhause finden, werden sie anständig." Seit der späten Ming-Dynastie legten die Literaten der damaligen Zeit großen Wert auf die Kultivierung des "ya"-Stils (elegant, vornehm) in ihrem Leben. Dieser Stil drückte sich in ihren Studien und geschnitzten Bambusornamenten aus, darunter Pinseltöpfe ("bitong"), Armlehnen ("bige") und Räuchergefäße ("xiangtong"). Diese waren sehr begehrt, denn Bambus galt als eines der vier Symbole für den "Gentleman", dessen Integrität den immer höher werdenden Abschnitten der Bambusstämme entsprechen sollte. Eine ähnliche Schnitzerei aus der Sammlung Julia Y. Cheng ist abgebildet in "Bamboo Carving of China", Nr. 11 - Die Endstücke sind verloren

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300 € 359 € 30 €
360 € 399 € 40 €
400 € 899 € 50 €
900 € 999 € 100 €
1.000 € 1.999 € 100 €
2.000 € 2.999 € 200 €
3.000 € 3.599 € 300 €
3.600 € 3.999 € 400 €
4.000 € 9.999 € 500 €
10.000 € 19.999 € 1.000 €
20.000 € 29.999 € 2.000 €
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36.000 € 39.999 € 4.000 €
40.000 € 99.999 € 5.000 €
100.000 € 199.999 € 10.000 €
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