Description:

A FINE, BLUE-GLAZED PEAR-SHAPED VASE, YUHUCHUNPING
China, Kangxi/ early Yongzheng period
H. 33,8 cm
The ovoid body is raised on a very slightly spreading foot and tapers towards the neck which rises to a flared rim and is covered overall with a sapphire-blue glaze. The base is covered with a light turquoise glaze.
Collection Dr. Ulrich Lindemann (1920 - 2018), Berlin (Coll.no. 14), bought 20.1.1969 from Heinrich Peters, East Asian Art, Berlin (DM 1500.-), receipt preserved

Published and exhibited: 'Kangxi - Porcelain Treasures of the Kangxi Period, Hetjens Museum, Düsseldorf, June 2015 - February 2016, no. 38, illustrated in the catalogue pp. 96 and 97

The present vase is rare and few examples from the Kangxi and early Yongzheng period appear to have been published. The unctuous sacrificial blue glaze became popular from the early Ming period onward, when the Hongwu emperor decreed that ceramic wares should be used for official sacrifices at the Imperial altars, and blue was the prescribed colour for ritual vessels at the Tiantan, 天壇, the Temple of Heaven. This sapphire-blue glazed vase is of a classical Chinese shape popular ever since the Northern Song dynasty. It is said to have been named after the famous Yuhuchun wine from Jiangzhou, which was kept in bottles of this shape. It was valued as a decorative flower vase during the Qing dynasty, as can be seen in a vintage portrait of Li Hongzhang (1823 - 1901), an important Qing dynasty politician A slightly larger vase of that type with Yongzheng mark and period (34,6 cm) is preserved in the collection of Ronald and Juliana Chao and published ‚Our Encounter with Ceramics - Chinese Ceramics from the Chao Collection‘, Hongkong, no. 29, pp. 48-49. A smaller, blue-glazed vase, Yongzheng mark and period, in the collection of the National Palace Museum, Taipei, is illustrated in Qingdai Danse You Ciqi Mulu, Catalogue of Qing Dynasty Monochrome Wares, Taipei, 1982, no.37. For another example see Shimmering Colours: Monochromes of the Yuan to Qing Periods - The Zhuyuetang Collection, Hong Kong, 2005, pl.57. Compare also a smaller (28.7cm high) blue-glazed vase, Yongzheng mark and of the period, illustrated in Ethereal Elegance: Porcelain Vases of the Imperial Qing, The Huaihaitang Collection, Hong Kong, 2007, pp.112-113, pl.15, and from the same collection a Qianlong seal mark and period example, illustrated ibid., pp.114-115, pl.16; for another Qianlong seal mark and period related example see The Tsui Museum of Art: Chinese Ceramics IV, Hong Kong, 1995, pl.43. A similar but smaller blue-glazed vase, yuhuchunping, with Yongzheng six-character mark and period (29.2cm high), was sold at Christie's Hong Kong, 29.4.2002, lot 651 - Good condition

Feine und seltene blau glasierte Yuhuchunping
China, Kangxi-/ frühe Yongzheng-Periode
H. 33,8 cm
Der eiförmige Körper steht auf einem leicht ausladenden Fuß und verjüngt sich zum Hals hin, der sich zu einem ausgestellten Rand hin verjüngt und insgesamt mit einer saphirblauen Glasur überzogen ist. Der Sockel ist mit einer hellen türkisfarbenen Glasur überzogen.
Sammlung Dr. Ulrich Lindemann (1920 - 2018), Berlin (Slg.Nr. 14), erworben am 20.1.1969 von Heinrich Peters, Ostasiatische Kunst, Berlin (DM 1500.-), Beleg erhalten

Veröffentlicht und ausgestellt: 'Kangxi - Porzellanschätze der Kangxi-Periode, Hetjens Museum, Düsseldorf, Juni 2015 - Februar 2016, Nr. 38, abgebildet im Katalog S. 96 und 97

Die vorliegende Vase ist selten und nur wenige Beispiele aus der Kangxi- und frühen Yongzheng-Periode scheinen veröffentlicht worden zu sein. Die blaue Opferglasur wurde ab der frühen Ming-Zeit populär, als der Hongwu-Kaiser verfügte, dass Keramikwaren für offizielle Opfer an den kaiserlichen Altären verwendet werden sollten, und Blau war die vorgeschriebene Farbe für rituelle Gefäße im Tiantan, 天壇, dem Himmelstempel. Diese saphirblau glasierte Vase hat eine klassische chinesische Form, die

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