Description:

A FINE AND RARE PAIR OF EUROPEAN SUBJECT ENAMEL BOWL AND COVERS
China, Qianlong period
D. 13 cm
The pair is enamelled in mirror image, each bowl and cover decorated with three cartouches enclosing European ladies at leisure in garden settings, against a ground of arabesque and purple latticework. The base is inscribed with a Qianlong fourcharacter yuzhi mark in blue enamel.
Max Müller (1867-1960), German Consul in Hankow, collected in China between 1905 and 1912. By descent to his daughter Irmgard Müller-Doertenbach (1909-2011)

Painted enamels were known as ‘foreign enamels’. The technique was developed in Europe in Flanders at the borders between Belgium, France and Netherlands. In the late 15th century the town Limoges, in west central France, became the centre for enamel production. As the maritime trade flourished between East and West, enamels were introduced to China via the trading port Canton (Guangzhou). The Qing court then set up Imperial ateliers to produce enamelled metal wares in the Kangxi period (1662-1722). In the early period, due to insufficient technical knowledge, only small vessels were made, with limited palette and murky colours. By the late Kangxi period, a wider range of brighter and purer colours became available, resulting in clearer decorationsand a higher level of technical sophistication. The present pair of covered bowls belongs to a select group of wares, all decorated with European subject matters and produced by skilled Guangzhou artists who produced tribute items for the Qing Court, archival documents indicate that certain painted enamel wares were gifted to the court by the Guangdong Maritime Customs Office in the early years of the Qianlong reign (1736-1695) and that these pieces had no marks. Is it noted that painted enamel wares from later in the period were made with Imperial reign marks. The exceptional quality of the painting seen on wares in this group suggest that the Guangzhou artists were trained by Jesuit missionaries. A covered bowl with a scene of Louhan is preserved in the collection of the National Palace Museum Taipei, is published Enamel Ware in the Ming and Qing Dynasties, Taipei, 1999, no. 131, p. 248. For a similar bowl in the collection of the Hermitage Museum St. Petersburg see Tatjana Aar-rapova ‚Chinese Painted Enamels - The Hermitage Museum St. Petersburg‘, Moscow 1988, pl. 121, no. 181. A similar decorated European subject bowl with a Jesuit symbol mark on the base is published Sotheby’s New York, 30.5.1991, lot 67 - Very minor wear to enamels

Feines Paar Schalen mit Emaildekor von Europäern
China, Qianlong-Periode
D. 13 cm
Das Paar ist spiegelbildlich emailliert, wobei jede Schale und jeder Deckel mit drei Kartuschen verziert ist, die europäische Damen bei der Freizeitgestaltung in einem Garten zeigen, auf einem Grund aus Arabesken und violettem Gitterwerk. Der Sockel ist mit einer Qianlong-Vier-Zeichen-Yuzhi-Marke in blauem Email versehen..
Max Müller (1867-1960), deutscher Konsul in Hankow, sammelte zwischen 1905 und 1912 in China. Durch Erbschaft an seine Tochter Irmgard Müller-Doertenbach (1909-2011)

Der in Email gemalte Dekor wurde als "ausländische Emaille" bezeichnet. Die Technik wurde in Europa in Flandern an der Grenze zwischen Belgien, Frankreich und den Niederlanden entwickelt. Im späten 15. Jahrhundert wurde die Stadt Limoges im westlichen Zentralfrankreich zum Zentrum der Emailproduktion. Als der Seehandel zwischen Ost und West florierte, wurde Email über den Handelshafen Kanton (Guangzhou) nach China eingeführt. Der Qing-Hof richtete daraufhin in der Kangxi-Periode (1662-1722) kaiserliche Ateliers für die Herstellung emaillierter Metallwaren ein. In der Anfangszeit wurden aufgrund unzureichender technischer Kenntnisse nur kleine Gefäße mit einer begrenzten Farbpalette und trüben Farben hergestellt. In der späten Kangxi-Zeit wurde eine breitere Palette hellerer und reinerer Farben verfügbar, was zu klare

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Export to countries outside the EU are subject to the restrictions of the UNESCO convention from 1970 and the European Agreement for the Protection of Cultural Heritage from 1993. Moreover, the cites regulations are applicable. Objects with materials such as ivory or tortoise shell require a permission for export into countries outside the EU contract area due to cites regulations. We point out that such a permission is usually not given. For exports within the EU the Act to Protect German Cultural Property against Removal (Kulturgutschutzgesetz) has been in force since 6th August 2016.


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June 10, 2024 9:30 AM CEST
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20 € 179 € 10 €
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300 € 359 € 30 €
360 € 399 € 40 €
400 € 899 € 50 €
900 € 999 € 100 €
1.000 € 1.999 € 100 €
2.000 € 2.999 € 200 €
3.000 € 3.599 € 300 €
3.600 € 3.999 € 400 €
4.000 € 9.999 € 500 €
10.000 € 19.999 € 1.000 €
20.000 € 29.999 € 2.000 €
30.000 € 35.999 € 3.000 €
36.000 € 39.999 € 4.000 €
40.000 € 99.999 € 5.000 €
100.000 € 199.999 € 10.000 €
200.000 € + 20.000 €